DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS Review — Other Worldly

Share this:

Lisa Johnson Mandell’s Doctor Strange in the Multiverse of Madness review says it’s both darker and lighter than most other Marvel offerings, with special effects that can still thrill and chill.

Doctor Strange in the Multiverse of Madness reviewWe all knew going in that Doctor Strange in the Multiverse of Madness would not be like any other film in the Marvel Universe. Taking a cue from its 2016 predecessor and going two steps further and darker, it’s one big gyrating, twirling kaleidoscope of a movie, sure to dazzle some and doze others.

The plot, like the production design, is complicated. In the beginning, when we’re first introduced to young teenager America Chavez (game newcomer Xochitl Gomez), it feels a bit like a kids’ movie. An all too saccharine sweet alternate universe seems to confirm that.

But the dark threads throughout make it a little too scary for the  young, and a little more interesting for the sophisticated. Director Sam Raimi (The Grudge, Evil Dead, Drag Me to Hell and Spiderman 2 and 3) gives it such an edge that some are calling it the first horror movie in the Marvel Universe.

In essence, Dr. Strange, (a typically debonaire but conflicted Benedict Cumberbatch) must hurl through the metaverse with America in order to thwart the dark plans of the Scarlet Witch (Elizabeth Olsen), that threaten the very existence of everyone, everywhere.

Dr. Strange’s magical martial arts mentor Wong (Benedict Wong) and his rival Mordo (Chewitel Ejiofor) join in the cause, and lost love Christine Palmer (Rachel McAdams) is also a hindrance and a help, depending on the universe she’s inhabiting at the time.

Speaking of alternate universes, the mad dash through dozens at the beginning is thrilling, crazy and wild, but once the characters start prolonged visits to them, you’ll find there are a few too many. They start to lose their wonder and intrigue after awhile, and you find yourself saying, “Oh no! Not another one! Can we just get on with it?”

Dedicated Marvel fans will doubtless see this film en masse, but if you’re not an avid Marvel geek with a photographic memory, I’d suggest you rewatch the 2016 Doctor  Strange and take in Wanda Vision on Disney+ in order not to be lost.

And you certainly won’t have the time or inclination to watch the last three Avengers movies, but at least look them up on Wikipedia to see what role Dr. Strange played in all that. That should keep you from losing yourself in the many worlds of this film.

Rated PG-12

2 Hours 6 Minutes

If this Doctor Strange in the Multiverse of Madness review makes you want to fly over to your local cineplex, remember, Cinemark’s Movie Club Membership offers discounts, rewards, and more! Join Today!

Lisa Johnson Mandell’s Doctor Strange in the Multiverse of Madness review says it’s both darker and lighter than most other Marvel offerings, with special effects that can still thrill and chill.

 

Share this:

Lisa Johnson Mandell

Lisa Johnson Mandell is an award winning journalist, author and film/TV critic. She can be heard regularly on Cumulus radio stations throughout the US, and seen on Rotten Tomatoes. She is the author of three bestselling books, and spends as much of her free time as possible with her husband Jim and her jolly therapy Labradoodle Frankie Feldman.

1 Comment

  1. […] focused films where the adults are interesting and multi-dimensional, with issues of their own. Rachel McAdams is splendid and vulnerable as Margaret’s mother, a former Christian who left her family […]

Leave a Comment





The Latest

THE MINISTRY OF UNGENTLEMANLY WARFARE Review — Jolly Good Fun

CIVIL WAR Review — Bloody Genius

MONKEY MAN Review — Not for the Faint of Heart

GHOSTBUSTERS FROZEN EMPIRE Review — High Spirited Hijinks

MEAN GIRLS Review, THE BOOK OF CLARENCE Review — 1 Works

ARTHUR THE KING Review — This Good Boy Saves the Day

AMERICAN DREAMER Review — House Hunting Runs Amok

KUNG FU PANDA 4 Review — Packs a Lot of Punch

Dune Part 2 Review — The First Glorious Epic of the Year

MADAME WEB Review — One for the Record Books, But Not in a Good Way