31 CANDLES Review — A Rom-Com That Merits Monumental Kvelling
Lisa Johnson Mandell’s 31 Candles review says this is a rom-com that spreads out its warmth and laughs like the coziest of blankets.
Here’s a thought experiment. What if Albert Brooks had a bar mitzvah, fell for a woman who could dunk on him at basketball, and somehow turned the whole thing into a clever love letter to New York? That’s the delightful premise of 31 Candles, a micro-budget rom-com that punches so far above its weight class it should be paying a gym membership.
Writer-director-star Jonah Feingold plays Leo Kadner, a nice Jewish boy (is there any other kind?) from NYC who makes a perfectly comfortable living directing Christmas movies, which is either the most ironic career in cinema or simply proof that the entertainment industry contains multitudes. His Jewish friends find this hilarious. We find it hilarious. Even Feingold finds it hilarious, and that generous, self-deprecating sensibility runs like a warm current through the entire film.
The inciting spark: Leo’s childhood camp crush Eva (Sarah Coffey, making her acting debut with the kind of effortless charisma most drama school graduates would trade a kidney for) reappears in his orbit. There’s just one magnificent wrinkle. In the years since their AOL chat courtship, Leo grew on the inside, and Eva grew on the outside. Way outside. We’re talking 6-foot-1″ of luminous, impossible Eva filling a doorway like a WNBA superstar, while Leo has approximately the silhouette of a well-dressed fire hydrant.
Rather than treating this height differential as a punchline to be deployed once and forgotten, Feingold leans into it with the commitment of a Buster Keaton gag, wringing physical comedy gold from every shared scene. His street-crossing hesitation sequence alone belongs in a highlight reel.
31 Candles Review — This rom-com’s secret weapon
The rom-com’s real secret weapon, though, is its specificity. This is unambiguously a Jewish story, and Feingold doesn’t sand down its edges for palatability. Leo’s belated Bar Mitzvah at 31 isn’t played as quirky decoration but as a genuine spiritual reckoning disguised as a romantic strategy.
Coffey, who apparently spends her real life fronting a Brooklyn indie rock band rather than collecting acting credits, lights up every single scene with a warmth and wit that suggests Feingold either got impossibly lucky or knew exactly what he was doing. Probably both.
31 Candles is sharp, funny, and unexpectedly tender. Consider it your Lifetime movie antidote.
Not Rated
1 hour, 30 minutes
If this 31 Candles review encourages you to cozy up, check it out on AtHome.Fandango.com.
Lisa Johnson Mandell’s 31 Candles review says this is a rom-com that spreads out its warmth and laughs like a cozy blanket.