Lisa Johnson Mandell's The Bride! review celebrates the film's brash, nourish, original take on the Mary Shelley tale and the themes that are applicable today. I walked into The Bride! with cautious optimism and staggered out with the assertion that writer-director Maggie Gyllenhaal, who gave us the exquisitely disquieting The Lost Daughter, has now come up with something entirely different: a sprawling, glittering, magnificently deranged feminist fever dream stitched together...